CSPC: Michael Jackson Popularity Analysis
Physical Singles Sales – Part 3
As a reminder, the weighting is done with a 10 to 3 ratio between one album and one physical single.
Dangerous (1991) – 3,036,000 equivalent albums
Black Or White – 2,860,000
Remember The Time – 1,450,000
In The Closet – 970,000
Jam – 570,000
Who Is It – 700,000
Heal The World – 1,760,000
Give In To Me – 580,000
Will You Be There – 1,110,000
Gone Too Soon – 120,000
HIStory (1995) – 3,006,000 equivalent albums
Scream – 1,550,000
You Are Not Alone – 2,970,000
Earth Song – 2,880,000
They Don’t Care About Us – 1,820,000
Stranger In Moscow – 360,000
HIStory/Ghosts – 440,000
Invincible (2001) – 339,000 equivalent albums
You Rock My World – 1,050,000
Cry – 80,000
Michael (2010) – 6,000 equivalent albums
Hold My Hand – 20,000
Orphan – 3,450,000 equivalent albums
Ease On Down The Road – 360,000
You Can’t Win – 120,000
A Brand New Day – 230,000
One Day In Your Life – 1,110,000
Say Say Say – 4,570,000
Farewell My Summer Love – 570,000
Girl You’re So Together – 60,000
Somebody’s Watching Me – 2,760,000
Get It – 170,000
Why – 430,000
Blood On The Dancefloor – 950,000
One More Chance – 170,000
Dangerous had only one song at near 2 million or more, Black Or White, against 4 each for Thriller and Bad. This is due to Dangerous’ singles, bar the lead one, hitting some markets while failing others, unlike 80s smashes that were huge everywhere. Singles from this era still had an incredible consistency as 7 made the Top 10 in France and the UK while 8 reached the top tier in New-Zealand. Thanks to this impressive volume, Dangerous‘ singles sold more than 10 million units combined.
HIStory is an atypical release. The presence of a greatest hits disc made the album incredibly expensive, especially since millions of people already owned most of the songs from the compilation CD. To answer this situation, many consumers decided to go buy the singles rather than the album.
That’s how Earth Song and They Don’t Care About Us became some of his top selling singles ever in Europe. Even if it wasn’t released in the US, the former sold almost 3 million. With 3 singles less than Dangerous, the HIStory era amassed 10 million physical singles sales.
The truncated promotion campaign by Sony is very visible here with a mere 2 singles released from Invincible, one of which wasn’t released in the US. The market was also collapsing so total sales are much lower than that of previous albums.
There is still some interesting stuff among the Orphan category. One Day In Your Life sold past 1 million mostly thanks to huge UK sales where it reached #1. Say Say Say, the duet with Paul McCartney, is a tremendous seller. In a 00s context, it would have most likely pushed an expanded edition of Thriller with it, although it wasn’t the norm at the time. The same can be said about the Rockwell smash Somebody’s Watching Me which didn’t fail to surf the Michael Jackson wave. Blood On The Dancefloor sold nearly 1 million units while promoting the remix album with the same title name.
The cumulative tally of his physical singles over the course of his career is up to 79,35 million.
Chicago reached 100 Mio. on Spotify. Also recently Hold my hand and You are not alone.
On youtoube Beat it recently reached 900 Mio. views, Rock with you 300 Mio. and Who is it 100 Mio. views.
Thriller sold 236,000 albums (physical + digital) in 2022, only USA
chart data
@chartdata
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11 Std.
Michael Jackson’s ‘Thriller’ now ranks among the top 10 best selling albums of the year in US pure sales, 40 years after release.
On Spotify “Chicago” is currently MJ’s 3rd biggest track on a daily basis, with close to 1/2 million plays a day. Why the sudden interest?
It went viral on TikTok like quite a few of his songs!
At the time of writing, ‘Thriller’ has now topped 120 million EAS.
It’s astounding to think that one album has been more successful that the entire career output (so far) of some pretty big international acts. Dire Straits, Coldplay, RHCP, Simon and Garfunkel, Adele, Drake and Rihanna to name a few…
Apart from Simon and Garfunkel, you’re right according to this system
Yes, sorry, I meant to say ‘The Doors’. Thank you for the correction!
Michael Jackson was part of Thriller album, there was dozens of workers and inventors, everyone’s goal was maximum commercialism or sales. That’s why its rating is not at the top. Not so creative. Call product.
I’m not necessarily saying than I’m a fan of either Jackson or ‘Thriller’. Just commenting on the enormous success it has achieved regardless of how many people were involved in it’s creation.
How is it any less creative, than say Blood on the Tracks, OK Computer, Nevermind, Sticky Fingers etc
You just sound like a bitter snob, finding fault and putting something down, just because it’s not to your taste.
Read everyone’s reviews from the critics. They say it better. Are Agatha Christie books better than, let’s say Herman Hesse, John Steinbeck or L-F Celine? I just threw a comment out of context. It’s not dangerous.
No, it’s bollocks. It’s not everyone’s reviews, it’s a certain subset of societys reviews. Do you really think hip hop magazines, bang on about or even give a fuck about, the merits or validity of Blonde On Blonde or Pet Sounds. On top of that, the majority of the world couldn’t give a toss what critics say, let alone use them as a barometer of what music they enjoy or want to buy. I don’t know what you deem as creative but for me, Thriller is on many levels. It’s not only the most popular album of all time and… Read more »
What’s your point? That’s like 99% of music out there!
There is an interesting comment in Sandra Bullock’s film The Lost City. She plays a romance novelist who’s extremely popular but would prefer to write serious work. The cover model says, “How can I be embarrassed by something that brings so much joy to so many people?”
If you like something, enjoy it. But don’t try to negate someone else’s happiness.
Same with your quote about Agatha Christie. Hundreds of millions of people bought her books. It obviously brought them joy. Why insult their taste?
50 cent snoop dogg
Hi MJD, do you have any estimate of how many albums Michael sold since his passing in 2009? According to Soundscan he sold 16.1 million albums in the US alone as of 2019, is it possible to make a worldwide figure?
some of y’all need to shut up
michael had 6 studio albums and the beatles 13
the beatles did it in 7 years and mj in 22 years
the thing is that both found their own way into their success and there’s no excuse to invalidate the other, just SHUT UPPPPP
Not to mention that Michael has actually 10 studio albums. Anyway, they’re both icons
He had 6 albums as an adult. If we don’t add
The other four albums ,they won’t affect that
Much.
mj I a solo artist being compared to a band , I think that says enough
Just out of curiosity, there probably are good reasons, but is History the only album that is counted twice? Or are any of the other (double) albums also treated this way?
I hope this works so they could answer you soon @MJD @Al @Martin
Why number of sales are changing?
Do they update daily?
Streams are updated daily. The EAS from streams cause movement on their sales.
Alas, the question is probably too dumb/difficult or easy for me to search for
Well disc one of history is a compilation and disc two is a studio album and disc on is certified platinum in the us but disc two is certified 8 times platinum in the us so the compilation and studio album are considered like two separate things even though they are put together.
No, it’s the only double studio album in his catalogue. HIStory is actually not counted twice. The US RIAA is the only certification body in the world that counts double albums as 2. HIStory was released in 1995 and the RIAA established this rule in September of 1996, according to Billboard magazine. But for some reason, HIStory’s sales of had reached 6x platinum bt that point, but the figure wasn’t doubled to 12x platinum as it shouldve been (like Pink Floyd’s ‘The Wall’ & The Beatles ‘The Beatles’ doubled their certifications for these double disc releases following the rule change).… Read more »
Hi Aska, you’ve got your dates wrong about when multi counting was introduced, the multi counting rule came into place in June 1992, not 1996. Due to this, pretty much nothing you said above is correct. 1992 : Multi-box sets are redefined as two or more CDs (or the equivalent in LPs or cassettes) with a minimum running time of 120 minutes. The criteria are also changed so that each unit within a set is counted separately. The criteria for a Gold® multi-box set now require sales of 500,000 units; Platinum®, one million units; and Multi-Platinum™, two million units. 1997: An… Read more »
Is this why RIAA created certification system? Who is the best at manipulating system. The question is probably that the record company is trying to maximize revenues. Box-sets generate big money. Product is ready, it is inserted into the case and max price. Several different versions.
The Beatles have a 16 box sets and Dylan 23 box sets. First box set was Dylan’s Biography 1985.
It was actually a question about the counting on this website. The 18m+ (ww) sales of the double album are counted as 18m+ for the studio album and 18m+ as a compilation, as it cannibalized on the earlier studio albums as well. I was wondering if this happened more often