Streaming Masters – Diana Ross
After enjoying a fantastic run with the Supremes during the 60s, Diana Ross went solo at the start of the 70s only to continue her successful streak.
While she claimed four new US #1s that decade to her 12 from her group days, her largest hits would come in the 80s. Upside Down or Endless Love were massive global hits, while a track like I’m Coming Out, a huge LGBTQ+ anthem, became a modern day classic through the years. We list to you her most streamed songs, one by one.
Diana Ross streaming review – the method
Streaming is made up of audio and video streams. Our CSPC methodology now includes both to better reflect the real popularity of each track. The main source of data for each avenue is respectively Spotify and YouTube.
To factor in the growing impact of multiple Asian countries where these platforms aren’t always the go-to site for music streaming, more sources have been added.
In order to account for their real popularity in each relevant country, the below sources have been used along with the mentioned ratios that reflect the market share of each area.
Audio Streams
– South Korea: Genie streams * 2.20 (consistent with Gaon streaming numbers)
– Japan: AWA streams * 100 / 4 (AWA has 4% of the Japanese streaming market)
– Arabic world: Anghami streams
– Sub-Saharan Africa: Boomplay + Audiomack streams
– Elsewhere: Spotify streams * Spotify market shares based on artists’ market distribution
Video Streams
– China* : QQ video streams * 50 if the song is available for audio stream, QQ video streams * 5 elseway (scale built based on known figures for several major artists)
– Elsewhere : Youtube views increased by 10% to account for various local platforms
*since Chinese streaming platforms are mostly video streaming platforms, their streams are weighted on par with YouTube streams.
Audio Stream value – 1,500 plays equal 1 album unit
Video Stream value – 6,750 views equal 1 album unit
Equivalent Albums Sales (EAS) = ( Spotify * ArtistRatio + Genie * 2.20 + AWA * 100 / 4 + Anghami + Boomplay + Audiomack ) / 1500 + ( QQ views* 50(or 5) + YouTube * 1.1 ) / 6750
Please be aware that when the artist is regarded as the lead act, he is rewarded with 100% of these units, while featured acts share among them a 50% piece of the totals.
Diana Ross streaming review – the results
Total: 1,694,341 EAS
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Diana Ross: Most streamed tracks (EAS)
1. Endless Love [Why Do Fools Fall in Love] – 408,000
2. I’m Coming Out [Diana] – 310,000
3. Upside Down [Diana] – 226,000
4. When You Tell Me That You Love Me [The Force Behind the Power] – 80,000
5. Chain Reaction [Eaten Alive] – 67,000
6. You Are Everything [Diana & Marvin] – 48,000
7. Theme from Mahogany (Do You Know Where You’re Going To) [Mahogany] – 38,000
8. Love Hangover [Diana Ross (1976)] – 37,000
9. The Boss [The Boss] – 37,000
10. It’s My House [The Boss] – 34,000
11. Touch Me in the Morning [Touch Me in the Morning] – 33,000
12. Stop, Look, Listen (to Your Heart) [Diana & Marvin] – 25,000
13. If We Hold on Together [The Force Behind the Power] – 24,000
14. All of You [Swept Away] – 24,000
15. If the World Just Danced [Thank You] – 22,000
16. Turn Up the Sunshine [Orphan (Diana Ross)] – 22,000
17. Missing You [Swept Away] – 21,000
18. I’m Coming Out / Upside Down [Orphan (Diana Ross)] – 19,000
19. Thank You [Thank You] – 18,000
20. My Old Piano [Diana] – 17,000
Sources: Spotify, YouTube, AWA (app), QQ, Genie, Anghami, Audiomack, Boomplay.
You may be interested in…
… Diana Ross‘ full CSPC analysis
… streaming tops and tools
