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Celine Dion albums and songs sales

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(@mjd)
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Within a few weeks Celine Dion will be celebrating the 35th anniversary of her debut album. So deep into a career, the norm is to exploit the existing catalog. The Quebec superstar is still building it yet, as her recent Encore Un Soir French album is destroying the competition.



Many things happened in-between. The Eurovision Song Contest, the Soundtrack of Titanic movie, record breaking sellers in French speaking countries, child’s, worldwide smashes during the 90s, giant tours, unmatched Las Vegas residencies, Christmas records, Japanese mania and, more recently, the sad passing of her long-time manager and husband, René Angelil. The point that never changed is that she never stopped moving records.

If her life has been very rich, the specificity of Celine Dion catalog is the fact it contains three rather than one discography. Two of them are easily identifiable, being her English-albums list since Unison in 1990 and her adult French-albums starting by Dion Chante Plamandon in 1991. The third one is made of her earlier material issued from 1981 to 1987, mostly released in Quebec. That discography which features albums like La Voix Du Bon Dieu and Tellement J'Ai D'Amour has been extensively repackaged after the singer made it big. As the originals have been out of print for very long and never released in many countries, I'm going to encapsulate all those records and relative compilations into a single album, Early Material Album. Her remaining albums will be treated the same way as for other artists.

Original Albums Sales - English Discography

Unison (1990)

  • America

    • US - 1,600,000
    • Canada - 700,000
    • Argentina - N/A
    • Brazil - 50,000
    • Mexico - N/A

  • Asia

    • Japan - N/A

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 670,000

    • UK - 175,000
    • France - 145,000
    • Germany - N/A
    • Italy - 50,000
    • Spain - N/A
    • Sweden - N/A
    • Netherland - N/A
    • Switzerland - N/A
    • Austria - N/A
    • Finland - N/A

  • World - 3,400,000

Celine Dion (1992)

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  • America

    • US - 3,100,000
    • Canada - 1,200,000
    • Argentina - N/A
    • Brazil - 150,000
    • Mexico - N/A

  • Asia

    • Japan - 200,000

  • Oceania

    • Australia - 100,000
    • New Zealand - 20,000

  • Europe - 490,000

    • UK - 125,000
    • France - 115,000
    • Germany - N/A
    • Italy - N/A
    • Spain - N/A
    • Sweden - N/A
    • Netherland - N/A
    • Switzerland - N/A
    • Austria - N/A
    • Finland - N/A

  • World - 5,700,000

The Colour Of My Love (1993)

  • America

    • US - 6,500,000
    • Canada - 1,800,000
    • Argentina - N/A
    • Brazil - 150,000
    • Mexico - 150,000

  • Asia

    • Japan - 1,100,000

  • Oceania

    • Australia - 625,000
    • New Zealand - 100,000

  • Europe - 4,640,000

    • UK - 2,050,000
    • France - 345,000
    • Germany - 450,000
    • Italy - 225,000
    • Spain - 200,000
    • Sweden - 200,000
    • Netherland - 340,000
    • Switzerland - 70,000
    • Austria - 40,000
    • Finland - 41,000

  • World - 16,600,000

Falling Into You (1996)

  • America

    • US - 12,500,000
    • Canada - 1,700,000
    • Argentina - 100,000
    • Brazil - 200,000
    • Mexico - 225,000

  • Asia

    • Japan - 925,000

  • Oceania

    • Australia - 925,000
    • New Zealand - 190,000

  • Europe - 8,070,000

    • UK - 2,375,000
    • France - 1,040,000
    • Germany - 1,350,000
    • Italy - 350,000
    • Spain - 300,000
    • Sweden - 240,000
    • Netherland - 650,000
    • Switzerland - 200,000
    • Austria - 110,000
    • Finland - 52,000

  • World - 28,100,000

Let's Talk About Love (1997)

  • America

    • US - 10,850,000
    • Canada - 1,900,000
    • Argentina - 180,000
    • Brazil - 575,000
    • Mexico - 375,000

  • Asia

    • Japan - 1,400,000

  • Oceania

    • Australia - 480,000
    • New Zealand - 140,000

  • Europe - 10,440,000

    • UK - 2,075,000
    • France - 1,610,000
    • Germany - 1,675,000
    • Italy - 1,150,000
    • Spain - 475,000
    • Sweden - 290,000
    • Netherland - 575,000
    • Switzerland - 340,000
    • Austria - 140,000
    • Finland - 98,000

  • World - 29,800,000

These Are Special Times (1998)

  • America

    • US - 6,000,000
    • Canada - 1,250,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - 650,000

  • Oceania

    • Australia - 140,000
    • New Zealand - 45,000

  • Europe - 2,180,000

    • UK - 325,000
    • France - 80,000
    • Germany - 450,000
    • Italy - 350,000
    • Spain - N/A
    • Sweden - 140,000
    • Netherland - 120,000
    • Switzerland - 145,000
    • Austria - 60,000
    • Finland - 45,000

  • World - 11,900,000

A New Day Has Come (2002)

  • America

    • US - 3,600,000
    • Canada - 650,000
    • Argentina - 25,000
    • Brazil - 90,000
    • Mexico - N/A

  • Asia

    • Japan - 180,000

  • Oceania

    • Australia - 175,000
    • New Zealand - 40,000

  • Europe - 3,670,000

    • UK - 450,000
    • France - 975,000
    • Germany - 500,000
    • Italy - 270,000
    • Spain - 130,000
    • Sweden - 120,000
    • Netherland - 240,000
    • Switzerland - 140,000
    • Austria - 50,000
    • Finland - 33,000

  • World - 9,400,000

One Heart (2003)

  • America

    • US - 2,000,000
    • Canada - 325,000
    • Argentina - N/A
    • Brazil - 30,000
    • Mexico - N/A

  • Asia

    • Japan - 90,000

  • Oceania

    • Australia - 50,000
    • New Zealand - 15,000

  • Europe - 1,300,000

    • UK - 210,000
    • France - 270,000
    • Germany - 175,000
    • Italy - 120,000
    • Spain - 55,000
    • Sweden - 40,000
    • Netherland - 90,000
    • Switzerland - 50,000
    • Austria - 15,000
    • Finland - 18,000

  • World - 4,400,000

Miracle (2004)

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  • America

    • US - 1,100,000
    • Canada - 150,000
    • Argentina - N/A
    • Brazil - 30,000
    • Mexico - N/A

  • Asia

    • Japan - 10,000

  • Oceania

    • Australia - 25,000
    • New Zealand - 5,000

  • Europe - 510,000

    • UK - 120,000
    • France - 145,000
    • Germany - 30,000
    • Italy - 50,000
    • Spain - 5,000
    • Sweden - 5,000
    • Netherland - 40,000
    • Switzerland - 15,000
    • Austria - 3,000
    • Finland - N/A

  • World - 1,900,000

Taking Chances (2007)

  • America

    • US - 1,200,000
    • Canada - 430,000
    • Argentina - N/A
    • Brazil - 20,000
    • Mexico - 15,000

  • Asia

    • Japan - 150,000

  • Oceania

    • Australia - 80,000
    • New Zealand - 15,000

  • Europe - 1,140,000

    • UK - 420,000
    • France - 150,000
    • Germany - 100,000
    • Italy - 105,000
    • Spain - 40,000
    • Sweden - 25,000
    • Netherland - 45,000
    • Switzerland - 45,000
    • Austria - 15,000
    • Finland - 15,000

  • World - 3,400,000

Loved Me Back To Life (2013)

  • America

    • US - 350,000
    • Canada - 325,000
    • Argentina - N/A
    • Brazil - 20,000
    • Mexico - N/A

  • Asia

    • Japan - 20,000

  • Oceania

    • Australia - 20,000
    • New Zealand - 5,000

  • Europe - 840,000

    • UK - 350,000
    • France - 240,000
    • Germany - 50,000
    • Italy - 15,000
    • Spain - 5,000
    • Sweden - 5,000
    • Netherland - 15,000
    • Switzerland - 20,000
    • Austria - 5,000
    • Finland - 5,000

  • World - 1,700,000

Original Album Sales - English Discography - Comments

1990 Unison – 3,400,000
1992 Celine Dion – 5,700,000
1993 The Colour Of My Love – 16,600,000
1996 Falling Into You – 28,100,000
1997 Let's Talk About Love – 29,800,000
1998 These Are Special Times – 11,900,000
2002 A New Day Has Come – 9,400,000
2003 One Heart – 4,400,000
2004 Miracle – 1,900,000
2007 Taking Chances – 3,400,000
2013 Loved Me Back To Life – 1,700,000

Despite an extensive career, Celine Dion hasn't issued that many English albums. In total, only 11 with two of them being of some distinct nature, the Christmas record These Are Special Times and the concept album Miracle.

Still, this was enough to move 116,3 million albums. I know many fans will block on both Falling Into You and Let's Talk About Love albums being set under 30 million. After deeply going into all information available, excluding the wrong data that has been around for long - like Billboard clear typo on Let's Talk About Love sales in Latin America, where it was on 1,2 million rather than 2 million by 1999 - figures listed previously are the most realistic you can get.

Apart from debates, what may be recorded from those sales is how she was able to sell 95,8 million albums with a mere five consecutive records, from The Colour Of My Love to A New Day Has Come.

Titanic Controversy: In And Out Celine Dion scope

More than debates around exact sales of her albums, the main subject of controversy around her relates to Titanic Soundtrack. A seller as big as the Falling Into You / Let's Talk About Love pair, the record isn't counted as part of Celine Dion discography despite the cult lead single My Heart Will Go On. I strongly defend this exclusion, a few of the reasons are listed below.

I) It is a James Horner album

Although Celine Dion was the singer of the single, she was part of nothing else from the album. That record featured 15 tracks, 14 instrumentals, all of them composed by James HornerMy Heart Will Go On itself was written and produced by the famous composer.

II) The song was included into Let's Talk About Love

A strong argument to defend the inclusion in some way of Titanic into Celine Dion discography is to say buyers went for the single only. That argument would be valid if My Heart Will Go On wasn't also included into Let's Talk About Love. In fact, if the consumer wanted the single only because of Celine Dion, he would have pick her album rather than the Soundtrack.

III) Titanic was just utterly massive

Everything surrounding the movie in 1998 was just record breaking. The movie, the VHS, TV Viewers, magazines, posters, Leonardo DiCaprio... every little item linked with the Titanic was selling like hell. The phenomenon was way, way, way bigger than just a song, inclusively way bigger than Celine Dion herself at that point.

IV) It would be double counting

Looking in details Titanic and Let's Talk About Love sales in various markets give two definitive arguments against the inclusion of Titanic  - in full or a share of it - into Celine Dion records. The main one is that both albums sold up to the market limit for international albums in most countries over a period of a few months only. In other words, most people who bought Let's Talk About Love and Titanic are in common, which implies a clear case of massive double counting plus shows very well the explicit desire to buy the soundtrack as many buyers owned already the single from an other support.

V) Titanic helped Celine Dion as much as the other way around

In spite of her outstanding results, Celine Dion sales in Latin America were still relatively weak in Latin America and in various European markets. Thanks to the Titanic movie, she ended crossing over the general public in most countries she was failing to up to that date.

VI) Outside MHWGO, Titanic tops Let's Talk About Love

"Nobody cared about those instrumentals, they bought Titanic only for Celine Dion's song" is what we hear. We will forget My Heart Will Go On song for a minute and check the remaining songs from both albums. Well, as unreal as it may seem, while the rest of Let's Talk About Love songs - which includes Barbra Streisand and Bee Gees duets Tell Him and Immortality - add for 22 million streams at Spotify, instrumentals of Titanic Soundtrack combine for 35 million streams, 60% more. This is a fact true in 2016, now that the movie hype is long gone, while Celine Dion continued active up to date. Those figures suggest the public was indeed interested more by the Soundtrack than just the single, which explains why Titanic was the clear #1 for several months over Let's Talk About Love in most countries.

And as I don't count Titanic as part of Celine Dion's discography, here is the full CSPC analysis of the Titanic soundtrack.

Original Albums Sales - French Discography

Dion Chante Plamandon (1991)

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  • America

    • US - 150,000
    • Canada - 275,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - 40,000

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 880,000

    • UK - N/A
    • France - 645,000
    • Germany - N/A
    • Italy - 50,000
    • Spain - N/A
    • Sweden - N/A
    • Netherland - N/A
    • Switzerland - N/A
    • Austria - N/A
    • Finland - N/A

  • World - 1,500,000

D'Eux (1995)

  • America

    • US - 300,000
    • Canada - 800,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - 100,000

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 5,760,000

    • UK - 200,000
    • France - 4,210,000
    • Germany - 100,000
    • Italy - 40,000
    • Spain - N/A
    • Sweden - 110,000
    • Netherland - 200,000
    • Switzerland - 225,000
    • Austria - 15,000
    • Finland - 15,000

  • World - 7,300,000

S'Il Suffisait D'Aimer (1998)

  • America

    • US - 125,000
    • Canada - 600,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - 125,000

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 2,760,000

    • UK - 125,000
    • France - 1,890,000
    • Germany - 150,000
    • Italy - 30,000
    • Spain - N/A
    • Sweden - 20,000
    • Netherland - 60,000
    • Switzerland - 120,000
    • Austria - 30,000
    • Finland - 15,000

  • World - 3,900,000

1 Fille & 4 Types (2003)

  • America

    • US - 30,000
    • Canada - 250,000
    • Argentina - N/A
    • Brazil - 15,000
    • Mexico - N/A

  • Asia

    • Japan - N/A

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 1,110,000

    • UK - N/A
    • France - 845,000
    • Germany - 25,000
    • Italy - 15,000
    • Spain - N/A
    • Sweden - 10,000
    • Netherland - 10,000
    • Switzerland - 50,000
    • Austria - 3,000
    • Finland - 17,000

  • World - 1,500,000

D'Elles (2007)

  • America

    • US - N/A
    • Canada - 250,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - N/A

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 440,000

    • UK - N/A
    • France - 340,000
    • Germany - 10,000
    • Italy - 10,000
    • Spain - N/A
    • Sweden - N/A
    • Netherland - 5,000
    • Switzerland - 15,000
    • Austria - N/A
    • Finland - N/A

  • World - 700,000

Sans Attendre (2012)

  • America

    • US - N/A
    • Canada - 300,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - N/A

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 980,000

    • UK - 5,000
    • France - 805,000
    • Germany - 10,000
    • Italy - 5,000
    • Spain - N/A
    • Sweden - N/A
    • Netherland - 5,000
    • Switzerland - 40,000
    • Austria - N/A
    • Finland - N/A

  • World - 1,300,000

Encore Un Soir (2016)

  • America

    • US - N/A
    • Canada - 160,000
    • Argentina - N/A
    • Brazil - N/A
    • Mexico - N/A

  • Asia

    • Japan - N/A

  • Oceania

    • Australia - N/A
    • New Zealand - N/A

  • Europe - 620,000

    • UK - 5,000
    • France - 500,000
    • Germany - 10,000
    • Italy - 5,000
    • Spain - N/A
    • Sweden - N/A
    • Netherland - 5,000
    • Switzerland - 20,000
    • Austria - N/A
    • Finland - N/A

  • World - 800,000

Original Album Sales - French Discography - Comments

1991 Dion Chante Plamandon – 1,500,000
1995 D'Eux – 7,200,000
1998 S'Il Suffisait D'Aimer – 3,900,000
2003 1 Fille & 4 Types – 1,500,000
2007 D'Elles – 700,000
2012 Sans Attendre – 1,300,000
2016 Encore Un Soir – 800,000

If it is already difficult to create a successful discography, creating two is even harder. It gets even more incredible when you do it in such an incredible fashion.

In comparison to global albums, those figures may seem low. Some perspective is needed. From 1995 to date, the biggest selling album in the US is Come On Over by Shania Twain at more than 20 million copies sold. In the same time frame, the highest selling album in France - indeed, the highest selling album ever - is D'Eux by Celine Dion at 4,21 million, ironically an other Canadian female star. The difference? Given respective markets, 4,21 million in France equals to some 34 million units in the US, more than what Michael Jackson's Thriller did.

S'Il Suffisait D'Aimer sales of 3,9 million are nowhere near D'Eux, but still enough to put it among the Top 3 best selling French albums ever, which shows the absolute madness created by those records in France, Quebec, Wallonia and such regions.

All in all, those albums shipped 16,9 million units, with Encore Un Soir likely to quickly sell its current shipments and to get new and big orders during the Christmas season.

Physical Singles Sales - English Discography

I know, I know, Celine Dion is an album seller. Well, she still has million selling singles in the US, in the UK, in Japan, in Germany and in France - each time with at least one different song.

Often, that million seller was the hit that made her explode in the country. Pour Que Tu M'Aimes Encore in France, To Love You More in Japan, Think Twice in the UK, The Power Of Love in the US. In each of those countries, Celine Dion was already known, already an OK-ish seller and she just went into an incredible success roll after those respective songs. This perfectly displays her unparalleled appeal during the 90s.

The fact she instantly moved into a huge album seller after her breakthrough hit obviously limited her physical single sales. At least two big hits in most countries though - the breakthrough plus My Heart Will Go On - plus a bunch of average sellers still created a cumulative tally of 32 million singles sold, counting English songs only.

As a reminder, the weighting is done with a 10 to 3 ratio between one album and one physical single.

Unison (1990) - 210,000 equivalent albums

Where Does My Heart Beat Now - 550,000
(If There Was) Any Other Way - 100,000
The Last To Know &  Have A Heart - 50,000

Celine Dion (1992) - 585,000 equivalent albums

Beauty And The Beast - 900,000
If You Asked Me To - 600,000
Nothing Broken But My Heart - 200,000
Love Can Move Mountains - 150,000
Water From The Moon - 100,000

The Colour Of My Love (1993) - 1,890,000 equivalent albums

When I Fall In Love - 200,000
The Power Of Love - 1,900,000
Misled - 300,000
Think Twice - 2,100,000
Only One Road - 200,000
To Love You More - 1,600,000

Falling Into You (1996) - 2,115,000 equivalent albums

Falling Into You - 450,000
Because You Loved Me - 2,900,000
It's All Coming Back To Me Now - 2,200,000
The Power Of The Dream - 200,000
All By Myself - 1,200,000
Call The Man - 100,000

Let's Talk About Love (1997) - 3,300,000 equivalent albums

Tell Him - 1,300,000
Be The Man - 150,000
The Reason - 50,000
My Heart Will Go On - 8,100,000
Immortality - 1,300,000
Treat Her Like A Lady - 100,000

These Are Special Times (1998) - 705,000 equivalent albums

I'm Your Angel - 2,300,000
The Prayer - 50,000

A New Day Has Come (2002) - 435,000 equivalent albums

A New Day Has Come - 600,000
I'm Alive - 800,000
Goodbye's - 50,000

One Heart (2003) - 105,000 equivalent albums

I Drove All Night - 250,000
One Heart - 100,000

Taking Chances (2007) - 30,000 equivalent albums

Taking Chances - 50,000
A World To Believe In - 50,000

Orphan Album - 360,000 equivalent albums

That's The Way It Is - 1,000,000
Additional Singles - 200,000

Physical Singles Sales - French Discography

At 6,8 million, French singles of Celine Dion have been quite good sellers overall. Pour Que Tu M'Aimes Encore is her French signature song.

As a reminder, the weighting is done with a 10 to 3 ratio between one album and one physical single.

Early Matieral Album (1981-1987) - 510,000 equivalent albums

D'Amour Ou D'Amitié - 800,000
Une Colombe - 100,000
Ne Partez Pas Sans Moi - 300,000
Additional Singles - 500,000

Dion Chante Plamandon (1991) - 135,000 equivalent albums

L'Amour Existe Encore - 50,000
Ziggy (Un Garçon Pas Comme Les Autres) - 400,000

D'Eux (1995) - 660,000 equivalent albums

Pour Que Tu M'Aimes Encore - 1,600,000
Je Sais Pas - 600,000

S'Il Suffisait D'Aimer (1998) - 240,000 equivalent albums

Zora Sourit - 200,000
S'Il Suffisait D'Aimer - 400,000
On Ne Change Pas - 200,000

1 Fille & 4 Types (2003) - 75,000 equivalent albums

Tout L'Or Des Hommes - 200,000
Et Je T'Aime Encore - 50,000

D'Elles (2007) - 21,000 equivalent albums

Et S'Il N'En Restait Qu'Une - 70,000

Orphan Album - 411,000 equivalent albums

Calling You - 20,000
J'attendais 
- 50,000
Sous Le Vent
 - 950,000
Je Ne Vous Oublie Pas
 - 200,000
Tous Les Secrets
 - 50,000
Additional Singles - 100,000

Digital Singles Sales - English Discography

Some 24,9 million download sales with her English songs. Spread over so many songs, this tally is not impressive, but not too bad either. Closing in the 4 million mark, My Heart Will Go On is the clear leader among her discography.

As a reminder, the weighting is done with a 10 to 1,5 ratio between one album and one digital single.

Unison (1990) - 30,000 equivalent albums

Where Does My Heart Beat Now - 150,000
Remaining Songs - 50,000

Celine Dion (1992) - 240,000 equivalent albums

Beauty And The Beast - 1,000,000
If You Asked Me To - 300,000
Remaining Songs - 300,000

The Colour Of My Love (1993) - 360,000 equivalent albums

The Power Of Love - 1,500,000
Think Twice - 600,000
Remaining Songs - 300,000

Falling Into You (1996) - 870,000 equivalent albums

Because You Loved Me - 2,600,000
It's All Coming Back To Me Now - 1,400,000
All By Myself - 900,000
Remaining Songs - 900,000

Let's Talk About Love (1997) - 705,000 equivalent albums

Tell Him - 300,000
My Heart Will Go On - 3,800,000
Remaining Songs - 600,000

These Are Special Times (1998) - 405,000 equivalent albums

I'm Your Angel - 300,000
The Prayer - 600,000
Remaining Songs - 1,800,000

A New Day Has Come (2002) - 420,000 equivalent albums

A New Day Has Come - 1,300,000
I'm Alive - 800,000
Remaining Songs - 700,000

One Heart (2003) - 150,000 equivalent albums

I Drove All Night - 700,000
Remaining Songs - 300,000

Taking Chances (2007) - 315,000 equivalent albums

Taking Chances - 1,100,000
Remaining Songs - 1,000,000

Loved Me Back To Life (2013) - 60,000 equivalent albums

Remaining Songs - 400,000

Orphan Album - 165,000 equivalent albums

That's The Way It Is - 700,000
Additional Singles - 400,000

Digital Singles Sales - French Discography

At 1,85 million, digital sales of Celine Dion French songs are quite low in absolute terms. In relative terms yet, giving the weakness of France digital market which never really took off, this total is way more impressive than the English one.

As a reminder, the weighting is done with a 10 to 1,5 ratio between one album and one digital single.

Early Matieral Album (1981-1987) - 15,000 equivalent albums

Remaining Songs - 100,000

Dion Chante Plamandon (1991) - 15,000 equivalent albums

Remaining Songs - 100,000

D'Eux (1995) - 105,000 equivalent albums

Pour Que Tu M'Aimes Encore - 300,000
Remaining Songs - 400,000

S'Il Suffisait D'Aimer (1998) - 38,000 equivalent albums

On Ne Change Pas - 100,000
Remaining Songs - 150,000

1 Fille & 4 Types (2003) - 15,000 equivalent albums

Remaining Songs - 100,000

D'Elles (2007) - 15,000 equivalent albums

Remaining Songs - 100,000

Sans Attendre (2012) - 38,000 equivalent albums

Parler A Mon Père - 150,000
Remaining Songs - 100,000

Encore Un Soir (2016) - 15,000 equivalent albums

Remaining Songs - 100,000

Orphan Album - 23,000 equivalent albums

Remaining Songs - 150,000

Streaming Sales

The table below lists Spotify streaming of all songs from the five albums we are studying. The Comprehensive Streaming is reached by multiplying Spotify figures by 68/26. In fact, https://www.ifpi.org/downloads/GMR2016.pd f" target="_blank" rel="noopener noreferrer">as shown in IFPI 2015 Report, there were 68 million paying subscribers to all streaming platforms by the end of 2015. While the exact count of Spotify paying subscribers by the end of 2015 is unknown, that figure reached 20 million in June 2015 and 30 million in March 2016, thus an estimated 26 million is used as of the end of 2015.

This being said, those figures are valid for English songs. In France, the dominating streaming service is the national platform Deezer with roughly 50% of all Streaming revenues generated. In the other side, Spotify represents only 11% of France Streaming market. From its 38% globally to 11% locally, it is difficult to weight properly Celine Dion French songs. In fact, while they are mostly known in France-speaking countries, their appeal is larger thanks to the artist global popularity. Thus, for all her French songs, I'm going to cut the share halfway between both figures at 24,5%.

The equivalent album sales is the division of the comprehensive streaming figure by 1500 as it is now the norm in the new industry model.

Streaming Part 1 - Early Material

I won't lie - those figures aren't impressive. From her Quebec years, no Celine Dion song reached even 1 million at Spotify. The closest one is Ne Partez Pas Sans Moi, the song that enable the artist to win the Eurovision song contest in 1988.

cspccelinedionpart1

Streaming Part 2 - French domination

Most figures here do not look that good. That's a mistake. With Spotify share being tiny in France, reaching more than 10 million streams with Pour Que Tu M'Aimes Encore is mind-blowing. In fact, among pre-2000 French songs, the pair of Edith Piaf cult songs Non, Je Ne Regrette Rien and La Vie En Rose are the only ones ahead of Celine Dion signature song in this language.

Unsurprisingly, the entire track list of D'Eux registers impressive results. In terms of album sales equivalence, those figures are quite notable as well.

cspccelinedionpart2

Streaming Part 3 - French slowdown

Whatever the language, music industry rules remain the same: hits sell. Naturally, the lack of them prevents from selling well. 1 Filles & 4 Types was already is huge step back from Celine Dion 90s sales but still enjoyed some solid songs.

In the other side, everything from D'Elles failed to impact the general public. Although lead single Et S'Il N'En Restait Qu'Une went #1, it was barely thanks to an irrelevant Singles Chart with awfully low figures. This appears clearly here as the song is completely forgotten already. You can extract sales from a fan base, this doesn't create success though.

cspccelinedionpart3

Streaming Part 4 - France Loves Her Encore

While the curve of success was slowing down has it happens for all artists at some point, the phenomenon completely changed direction. The song Parler A Mon Père seduced French public again, not only providing its relative era great streaming results but also set back the perfect context to smash again, what Encore Un Soir is currently doing. This latter album streaming results may not seem huge but they are just getting started as of now.

cspccelinedionpart4

Streaming Part 5 - The Rising Global Superstar

Unison big hit is on 2,8 million, Celine Dion one is up to 18 million, both The Colour Of My Love strongest tracks combine for 35,7 million. Once again streaming tells many facts, perfectly highlighting which albums have the biggest strength.

Overall figures are not too good yet with album tracks being pretty weak. This explains why after All The Way compilation release in 1999 catalog sales of studio albums of the artist went down tremendously.

cspccelinedionpart5

Streaming Part 6 - These Are Special Times

Yes, these are special times. Selling so many records in so few years isn't a regular achievement. Incredibly enough, Falling Into You and Let's Talk About Love album tracks are still weak in the streaming world, just like previous albums. It can be summarized by hard core fans listening to all her catalog while the general public is interested in a few big hits only. Even old smashes like Tell Him or Immortality aren't very strong, Falling Into You album ending being Celine Dion only album with three memorable songs.

Obviously, her signature track is My Heart Will Go On and streaming results tell very exactly this story with a huge tally of nearly 71 million streams. In terms of album sales equivalence, each of those three albums generated figures in six digits but those results are still hardly relevant in comparison to their original pure album sales.

cspccelinedionpart6

Streaming Part 7 - A Bad Day Has Come

Ironically, after singing I'm Alive Celine Dion years as a mega selling global artist were pretty much dead. The fall from Let's Talk About Love to A New Day Has Come to One Heart to Miracle was atrocious, which is very well represented on their streaming results. Absolutely nothing remains in the map from Miracle which gets an abysmal 5,600 album sales equivalent from streaming.

cspccelinedionpart7

Streaming Part 8 - Last Chances

If she hasn't been able to recover her hey-days results in a global scale as she did with her French records, Celine Dion still tried to do so with a couple of albums in recent years. The last one has overall better results since it was released in 2013 when Spotify was already growing a lot, but as a general note those streaming figures are still pretty low. The top song from Taking Chances is under One Heart lead single while Loved Me Back To Life barely edges over 10 million.

cspccelinedionpart8

Streaming Part 9 - Orphan Album

Among all songs released outside her original studio albums it is pretty much of the same with some big hits getting only a few million streams like That's The Way It Is and To Love You More, while album tracks are largely forgotten by now.

cspccelinedionpart9

Full Length related records Sales

As one may expect, with a career of 35 years spread over three distinct sections, Celine Dion released an awful lot of long format records outside of her original studio albums. The unique nature of her discography forces us to set up several new rules. The first one, already mentioned in the introduction, relates to her 1981 to 1987 material issued mostly in Quebec and later in various formats in other countries. Those records combined all together sold over 1 million units in Canada, over 800,000 in France and 3 million units overall. Those sales get distributed to Early Material Album, referring to the first part of the singer career. We will be facing more new rules in following tables about her post 1990 Music Videos / Compilations / lives albums.

Full Length Migration Part 1 - English Compilations / Lives 1

How to understand this table? If you check for example All The Way compilation line, those figures mean it sold 22,9 million units worldwide. The second statistics column means all versions of all songs included on this package add for almost 185 million streaming plays on Spotify as of September 19th 2016.

The second part at the right of the table shows how many streams are coming from each original album plus the share it represents on the overall package streams. Thus, streaming figures tell us Let's Talk About Us songs are responsible for 38% of the All The Way track list attractiveness, which means it generated 8,8 million of its 22,9 million album sales and so on for the other records.

Both Let's Talk About Love and Falling Into You unsurprisingly dominate track lists of all those records, generating an impressive number of million sales.

cspccelinedionlp1

Full Length Migration Part 2 - English Compilations / Lives 2

Although those latter compilations sold less than the previous batch, patterns among studio albums are the same. Falling Into You and Let's Talk About You are the clear leaders for most releases, Celine DionThe Colour Of My Love and A New Day Has Come are quite decent while remaining albums have very little impact among those packages.

cspccelinedionlp2

Full Length Migration Part 3 - French Compilations / Lives

If you check in details the list of albums in front of A L'Olympia live package, you will see all English albums mentioned as "Excluded". In fact, all those albums sold mostly in French-speaking countries, almost exclusively thanks to their French songs. The fact Spotify is worldwide and largely favorable to English songs make it look like the few global hits included are responsible of almost all sales of those records, which is obviously not true. Thus, for all those packages I focused on French songs only among track lists.

D'Eux proves its status of absolute monster with a share ranging from 49% to 95% of all those compilations attractiveness.

cspccelinedionlp3

Full Length Migration Part 4 - 90s Music Videos

Bis repetita on this list with a set of music videos, several of them also seen previously on their CD version. Let's Talk About Love still securing large amounts of sales.

cspccelinedionlp4

Full Length Migration Part 5 - Post 2000 Music Videos

One more new rule here with the move of Through The Eyes Of The World into the Orphan Album. Of course it includes live performance of several songs, but often cut to a few seconds only, mostly used to densify the documentary. Thus, to not complete exclude those DVD sales, I moved it into the Orphan Album folder.

cspccelinedionlp5

Celine Dion Career CSPC Results

So, after checking all figures, how many overall album sales equivalent each Celine Dion album achieved? Well, at this point we barely need to do the addition of all figures defined all over this article!

[xyz-ips snippet="updatedCSPCalbums"]

This is it!

The first part of the table displays the artist French discography, which totals an impressive 28,1 million album sales equivalent. The most outstanding result is clearly the one of D'Eux, which is responsible for 12,4 million of those sales. In spite of being released in 1995, the record is the biggest French album in every category, including digital sales and streaming.

With English albums, a real wave-like curve is highlighted by figures. From 3,9 million to 7,6 million to 22,6 million to 41,9 million to 46,1 million, the climb of Celine Dion from 1990 to 1998 reached the sky. If Fall Into You and Let's Talk About Love fell short of matching several albums we previously studied like Led Zeppelin's IV at 55,5 million, Celine Dion is still the first with back-to-back 40 million-plus sellers, a terrific achievement. The closest performance we have seen so far is Madonna albums Like A Virgin and True Blue at 39 million and 36 million respectively.

In a more negative note, it has been four albums in a row now that Celine Dion failed to reach 5 million equivalent album sales, with the last one under 2 million. A return to her best form seems complicate in the future in spite of her success with her French albums. This feeling gets even bigger when we notice how CSPC sales follow massively pure album sales for this artist. While other acts, like Coldplay, saw their album sales slowdown barely because their success got transferred to other formats, it isn't the case of Celine Dion who's left with very little to work with outside the album sales area.

In any case, Celine Dion has nothing left to prove. Overall, she sold the astonishing total of 193,4 million equivalent album sales. Of course some may say it is a long way from Madonna total of 246 million, but let put it that way - full discographies of Britney Spears, Rihanna and Amy Winehouse combine for roughly the same as Celine Dion alone. She is also close to Adele, Taylor Swift and Lady Gaga combined. Yeah, Celine Dion results are *that* incredible.

As usual, feel free to comment and / or ask a question!

Sources: IFPI, Spotify, Chartmasters.org.

We have more for you...

... Celine Dion's streaming masters analysis

... Titanic's full CSPC analysis

... checking out the upcoming artists or even voting for them!

... similar artists

... best-selling artists, albums, and singles


   
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(@Gustavo)
Making some noise Guest
Joined: 8 years ago
Posts: 40
 

Wow! Fantastic! I would like to see a total equivalent albums comparison between Céline, Mariah and Whitney to see who's #2, #3 and #4 in the female category!


   
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(@Luminator)
Garage singer Guest
Joined: 8 years ago
Posts: 12
 

Thanks again for your great work.

I have a few things to comment on though:

1.) I think that you did not acknowledge the huge success that both Falling Into You and Let's Talk About Love (+All The Way) achieved in Asia. Both albums, for example, exceed half a million copies in obscure markets like Taiwan (650k for FIY, 500k+ for LTAL). For the rest of Southeast Asia, we do have little information, but when that rare information is available - as for the Malaysian chart posted in the Billboard magazine - it shows that her albums were absolute top sellers to say the least and spent eternities in the Top 10 with very impressive chart runs that exceeded those of all other international artists. Furthermore there is even a Billboard article stating that "The Colour Of My Love" sold 1,5 million outside of Japan, and another one stating that Celine sold more than 7 million albums in that region prior to "All The Way".

I would be thankful if you posted your estimations for her non-Japanese Asian sales in the comment section. Thanks in advance.

2.) I also think that were a little "harsh" on her Japanese sales, sometimes granting close to none import sales. You give 925k for Falling Into You, which is only 200k above it's Oricon total and should represent import sales, catalog sales and sales when the album was off the Top 200. I do think that you are a little conservative here (the same for LTAL).

3.) Moreover, i think that you did an overall great job on the US numbers with the exception of Let's Talk About Love, which seems to be underestimated. You are basically posting its SoundScan total plus what it sold via BMG music club, not acknowledging further music clubs (Columbia House?) or the fact that SoundScan didn't cover 100% of the market in 1997. It is interesting that you grant FIY 2 million on top of its SS-total, whereas only 1 million for LTAL. Can you clear this up, please?

4.) Could you give us the breakdown for "All The Way"?

Otherwise, I'm extremely thankful for her hard work, again!

I'm already super excited for your article referring Mariah Carey! I hope that it is soon about to come!


   
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(@skkywill)
Signing a deal Guest
Joined: 8 years ago
Posts: 81
 

Great!!!Guillaume, you are bad!bad!


   
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(@mjd)
Member Admin
Joined: 9 years ago
Posts: 1750
Topic starter  

Hello Luminator!

I'll be adding more detailed information tonight when I have all my files available but here is a first batch of answers, hope this helps!

1) Taiwan is a bit specific since the Titanic became by very far the biggest selling foreign album there, sending her catalog sales through the roof during the period. Still, Celine Dion was a very solid seller all over Asia, it is just that we tend to overestimate this continent market. Falling Into You was up to 1,213,000 units sold in the eight main Asian (minus Japan) markets by December 1996, when it had sold roughly 2/3 of its to date totals, meaning some 1,8 million copies by now. To consider the very low additional markets plus the Taiwanese boom, I granted it 2,1 million sales in Asia IIRC. In the same way, Let's Talk About Love was up to 1,65 million in the Top 9 Asian markets minus Japan by April 1998, when it had sold 2/3 of its to date totals, including over 400,000 units in Taiwan. I granted it 2,5 million Asian sales. As for The Colour Of My Love, in the leading seven markets, it sold 406,000 units by Dec 1995, when it was up to 11 million units worldwide, once again 2/3 of its to date total. I still granted it 1,2 million sales in Asian sales minus Japan due to her delayed explosion there.

2) Japanese sales of Celine Dion include a big trap: To Love You More. I carefully checked RIAJ certifications, her chart runs with sales that I have plus all shipment detailed data published for her albums and they all felt very much in line. I was first doubtful about the lack of a gap between Oricon figures and RIAJ/Shipment data before understanding the point - The Colour Of My Love and Falling Into You albums that sold in Japan were Japan-only releases, featuring To Love You More hit that wasn't present on the rest of World track list. This is why certifications followed so well Oricon sales, because those albums weren't imported at all. The real international version of The Colour Of My Love is the one that sold only 37,000 units while the one of Falling Into You wasn't released at all in Japan. This latter went 4xP (800,000) in late 1998 when most of its sales were done already. It was never certified as a million seller although this was heavily reported. Let's Talk About Love had little gaps between different data, which appears quite logical as the same version in Japan and elsewhere was released, thus creating a few imports although when an artist gets so big there, the album gets largely shipped locally which reduces the importance of imports.

3) As mentioned in the article about Britney Spears, Club sales were not a % of retail sales. It is more complicated than that since they had distribution deals, exclusivity rules and everything. This is why for example, 'Celine Dion' sold more than 600,000 units on BMG, FIY/LTAL/ATW sold 1m-ish each, but The Colour Of My Love near nothing, because it was a Columbia House exclusive for long. As per RIAA certifications, it appears clear that FIY was big on both sides, TCOML on Columbia and CD/LTAL/ATW on BMG. Both ATW and These Are Special Times got updated in December 2005, while LTAL, from the same era - majors audit catalog titles per batch depending on the release date - wasn't certified, meaning under 11 million. As per Soundscan, by 1999 when it was last certified the album had sold already 8,9 million of its 9,6 million to date sales. Club sales were done too by then as the release of ATW just when LTAL reached the 10 million certification killed its catalog appeal.

4) Yes, I'll be posting them tonight when I switch from computer 🙂

You are most welcome!


   
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 Tony
(@Tony)
Signing a deal Guest
Joined: 8 years ago
Posts: 68
 

Hello MJD!
Such a great work for only one artist, it is a colossal job to study all the big selling artists, especially the oldest!

1. Did Céline was the biggest act in the 90's? Her sales were incredible!

2. I think that there is a typo in page 15: it is written that French sales for "Dion Chante Plamondon" are 145k, and 645k for UK. I think it is the opposite?
If I am right, maybe European and worlwide total are wrong.

3. I know approximately how you estimate album sales (using certifications, soundscan, other reliable sources...). Is it the same way for physical singles? Or is it posible to calculate sales knowing the chartrun?

4. Where do you find global Digital single sales? Or how do you calculate it?

5. Are the Streaming numbers easy to have on Spotify?

6. If I can help you in one way or another to complete your site, please do not hesitate to ask me.

That is lot of questions, but I would understand how you work.
Tony


   
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(@Luminator)
Garage singer Guest
Joined: 8 years ago
Posts: 12
 

That was indeed very insightful. Thank you so much.

I have one regard on the situation in Taiwan though:

Her boom there didn't come about with Titanic, but with her tour in early 1997: Please compare the chartrun of Falling Into You:

Falling Into You (#1(15)/40w)
(11/08/1996): 8-8-6-8-7-5-6-5-6-4-6-6-7-6

(Re 24/11/1996): 10
(Re 26/01/1997): 4-*1*-1-1-1-1-1-1-1-1-1-1-1-1-1-1-4-5-6-7-7-9
(Re 20/07/1997): 8-8-8

The album had sold 176,800 (3xP= 150.000) as of December 1996 and then it exploded in early 1997 and sold up to 633,518 (12xP= 600.000) until November 1997.

I asked myself if this explosion was exclusive to Taiwan or whether it also affected other Asian markets that she toured in 1997. If so, one would have to adjust the estimation for Asia for FIY significantly.

What do you think?


   
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(@pat200)
Signing a deal Guest
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fantastic job. a bit surprised you downgraded both her 2 big albums to below 30 million, and you didn't add the sales generated by MHWGO from the OST to her sales. even though you give your reasons for it, i think they needed to be credited to her as it is her vocals on. if you were to do so, how many millions would be added to her sales?


   
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(@mjd)
Member Admin
Joined: 9 years ago
Posts: 1750
Topic starter  

Hi again!

Sales of LTAL make it rather clear that it was limited to Taiwan. If by Dec 96 sales of FIY in Taiwan were on par with other big Asian countries and even quite lower than in Korea, by April 98 LTAL was closing in 450k in Taiwan while being around 200k in all other notable Asian countries, illustrating how specific of a case it was.

During the Titanic era she was just out of this world there, with LTAL and the Soundtrack combining for 1,5 million in the country!

The FIY tour only went in Japan for a stretch of dates and then one in Korea, none in Taiwan. In Japan itself the album climbed back to #27 only thanks to those dates. If we refer to FIY early 97 sales in Taiwan, I would expect the usage of one of her songs in a popular TV show or a covered from a famous local act.


   
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(@mjd)
Member Admin
Joined: 9 years ago
Posts: 1750
Topic starter  

Hi Tony!

1) If I have to answer within' three letters, I would say yes.

2) Thanks for noticing, it is now fixed! The 145k figure relates to nothing, it is an uncleared copy/paste. The 645k figure is indeed sales of the album in France!

3) Yes. Unlike albums, singles sell the huge majority of their copies during the chart run, in a wake-like format, which make it rather easy to calculate using cleverly put formulas. I do use such calculations extensively for single sales in countries like France or Germany.

4) It really depends on the artist available data. In the case of an act that sold mostly catalog material, it isn't very difficult. We got US Soundscan sales for most Celine Dion songs in 2010. If one adds all downloads done in the US since it exists, the end of 2010 is the midway point. In concrete words, an old song at 500k in 2010 is roughly around 1 million by now. For singles with missing information and for worldwide estimates, on top of available data I use calculations based on Streaming figures. The target is to identify artist totals (for example Celine Dion sold 956k download singles in the US in 2011) and then spread them as per Streaming distribution. When a song appears way bigger in Streaming platform than US Soundscan sales, I weight it accordingly elsewhere, here it is the case of Think Twice that sold very low numbers in the US but got estimated among her biggest catalog hits elsewhere due to its Streaming results.

5) Yes! They are all available, you only need to go to their website, search for a song and mouse over at the end of the song line where there is some popularity bars. It takes several hours to write down all the data into Excel for such an extensive discography as this one yet.

6) Thanks! You can keep watching how it works and ask me some insights through the site Twitter or Facebook pages. If you still interested afterwards you may contribute in the future 🙂


   
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(@mjd)
Member Admin
Joined: 9 years ago
Posts: 1750
Topic starter  

Hi Pat!

Of course she performs vocals of the single, but she still contributes to only 1 song out of 15. In everything, there is always two ways to look at things - the technical way and the functional way.

Technically, Celine Dion is clearly not the author of the Soundtrack, so that must be excluded. The debate is in the functional way, as one may feel she contributed a lot to it. The real question yet isn't how many sales MHWGO generated for the Soundtrack, but how many copies LTAL / Titanic would have sold without the smash of the movie. Just imagine a second the movie would have bombed. The single would have been successful but way, way less as its exposure would have been much lower. As Streaming figures suggest, LTAL would have most likely ended as a lower seller than FIY - likely in the 18-20 million range. On its side, the Titanic Soundtrack would have sold in the 5-6 million range at most, almost exclusively thanks to Celine Dion on that case. Then, you would have 25-ish millions attributed to her.
Thanks the movie smash, LTAL already sold way more than it would have done, All The Way gained many millions too, so did her catalog in 1998 with very healthy sales for all her English albums everywhere. Ultimately, in a functional point of view, if we really want to attribute merits to Celine Dion against Titanic, she would most likely end losing a few million of sales rather than gaining some.

In the same way that no sales from Eminem or David Guetta albums have ever been granted to Rihanna (Titanium, Love The Way You Lie etc.), there is no reason to grant sales of a James Horner album to Celine Dion.

A small word about FIY/LTAL ending under 30 million, I always spend a lot of time examining available information, searching for more and then creating it when there is none and that I can do it in a mathematically valid way. After that work, I barely let Excel add for all figures. I was myself surprised to see both albums under that mark, but I never change the detailed data to adjust as I would wish / believe the total to be. Just like a poker player truly focus on playing each hand in an optimized way, I study all information the best I can, the total then just get determined by itself.


   
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(@mjd)
Member Admin
Joined: 9 years ago
Posts: 1750
Topic starter  

Hi again,

Here comes the breakdown of All The Way!

America
- US – 9,300,000
- Canada – 1,400,000
- Argentina – 120,000
- Brazil – 525,000
Asia
- Japan – 2,100,000
Oceania
- Australia – 325,000
- New Zealand – 100,000
Europe – 5,980,000
- UK – 1,350,000
- France – 775,000
- Germany – 1,250,000
- Italy – 400,000
- Spain – 275,000
- Sweden – 200,000
- Netherland – 250,000
- Switzerland – 200,000
- Austria – 100,000
- Finland – 56,000
World – 22,900,000


   
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(@Cindycgy)
Got his first mic Guest
Joined: 8 years ago
Posts: 1
 

Amazing as always. I really like your analysis on Madonna and Celine.

Excellent!!!!


   
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(@anthony)
Signing a deal Guest
Joined: 8 years ago
Posts: 74
 

Hello MJD congratulations again for the website, yesterday I complimented with Hernàn, you are fantastic, it's nice to see that analyzed in detail so many artists, yesterday I suggested in my earlier comments many artists and groups that you could analyze, now I'd love to know CSPC analysis of groups like the Beatles, Pink Floyd, Rolling Stones, Queen, Eagles, AC/DC and Aerosmith.
I hope you will answer me soon !!


   
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 Tony
(@Tony)
Signing a deal Guest
Joined: 8 years ago
Posts: 68
 

Thank you very much for all these answers it is very appreciated!

I am not an expert to analyse data, so my contribution to make a CSPC analysis by myself is, for the moment, not conceivable...
But I can help in another way. For example, you could tell me each artist you want to study, and then I send you all the streaming data (album, track, total stream). It is not a lot of thing but it is easy to do and can "save your time" for the real analysis.

Tony


   
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