Now That’s What I Call A Major Flop

flop

It’s the ultimate purpose of all charts and sales discussions: define which album is a success and which one is a flop. There are thousands of ways to compare records and as many misleading facts to highlight wrongful conclusions. Obviously, there isn’t a manager nor a stan in the world that will accept that his favorite act flopped. It’s their job to point out every minor argument to have the general public believe he did well. Regardless, the truth doesn’t lie.

At Chartmasters.org, we are very close to 1,000 studio albums analyzed so far with the CSPC process. Among them, many of the most successful records of all-time. But also various severe bombs. Would you like to know which albums posted the steepest declines in comparison to their immediate predecessor?

Some results are truly ugly. There is 9 albums which sold more than 10 times less than their predecessor. The harshest drop is 94,5%, that is producing 550,000 units after a 10-million smash. As you can guess, all numbers are expressed in equivalent album sales rather than pure sales since they are much more representative of the success of an era. That’s why we will be extensively using the acronym EAS which stands for Equivalent Album Sales.

Setting up some rules…

These scores are obtained on a like-to-like basis. For example, recent albums are excluded since they aren’t completely done. That is, albums less than a year old when their related CSPC article was posted. For instance, exit Katy Perry‘s Witness. In any case, it is down 81,9% from Prism so it almost looks like a smash against the albums that we are going to present you here.

Also, exit Christmas albums. It would be unfair to include successful Christmas records from N’Sync, Destiny’s Child, Mariah Carey, Justin Bieber or Taylor Swift just because their proper studio albums sold even more. Additionally, side-projects Soundtracks like Madonna‘s Who’s That Girl, Phil CollinsBuster or BeatlesYellow Submarine are also excluded. Similarly, discographies of bilingual artists are split in two. For example, we won’t be considering Céline Dion‘s S’Il Suffisait D’aimer a flop just because it did much less than Let’s Talk About Love. Instead, it is compared with D’Eux.

Cross-artists statistics

Let’s start with a few statistics. After the application of exclusion rules, 832 albums remain. There is 94 debut albums, which obviously have no predecessor. That’s 738 candidates to feature in this article. As many as 213 of them sold less than half of the album they followed. Then, a significant 86 of them represented a drop of 70% or more for the artist. These key data show that dropping your results by 50% is fairly frequent. Consequently, it takes a sharper decrease to be flagged as a flop.

Of course, we can’t define an album as a success or a flop only with the evolution over its predecessor. Market data and standards of the artist should be considered too. Still, except a pair of records, albums that will be presented here dropped so much that no matter how we look at it, they bombed. As a matter of fact, let’s just point out that even Mariah Carey‘s Glitter doesn’t belong to the Top 50 of largest bombs.

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James Hall

From a statistical data standpoint this article has merit. Although many factors can be attributed to low sales.
I think it would be interesting to compare high selling “junk” to low selling artistic achievement(s).

Lydia

Whoa, Paul Simon’s career was definitely not “mostly done” by 1997, the albums Surprise (2006) and So Beautiful or So What (2011) are both incredible

Simon B.

AC/DC’s For Those About to Rock should have sold many more copies. The problem was not that it “missed to produce enough iconic tracks by their standards” but that in the US, the band’s label released the five-year-old Dirty Deeds Done Dirt Cheap just months before the new album, its second with new singer Brian Johnson, was supposed to come out. Dirty Deeds went on to sell massive numbers, robbing momentum from the superb For Those About to Rock, and causing the band to suffer from overexposure by the time it came out. Dirty Deeds is a great album, but… Read more »

Matrix

If an CSPC analysis for ‘Grease 2’ soundtrack would be done, I have no doubt that album would have take the first place on this list. Consider the possible difference between ‘Grease 1’ soundtrack – 52 216 000 milion CSPC – and big flop named ‘Grease 2’ sounftrack.

Matrix

Some more candidates for this Flop – list:

The Rolling Stones: ‘Tattoo You* 16.24 million units ——–>’Undercover’ 3.93 million.

Bon Jovi: ‘Crush’ 12.13 million units ——–>’Bounce’ 3.15 nillion.

Matrix

Looked through Rod Stewart CSPC numbers, and noticed several strong candidates for this list. For example ‘Every Picture Tells a Story’ had registered 30,37 million sales. Album after that *Never A Dull Moment* produced ‘only’ 5.64 million.

Or, ‘Blondes Have More Fun’ 15.22 million, compared to the following album ‘Foolish Behaviour’ just 3.68 million units.

And, last but not least, ‘Vagabound Heart’ produced 11. 28 million units. But, next album ‘A Spanner In the Works’ flops hard, just only 1.98 million units!

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