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Countries where Taylor is charting 5+ songs on Spotify
Global: 12
Australia 25
Austria: 5
Belgium: 6
Canada: 11
Indonesia: 8
Ireland: 21
Malaysia: 12
New Zealand: 11
Philippines: 29
Portugal: 9
Saudi Arabia: 7
Singapore: 43
Thailand: 6
UAE: 10
UK: 16
US: 13
Taylor Swift’s most streamed songs on 21/06/2023 (combined versions)
1 . Cruel Summer - 3,422,228
2 . Anti-Hero - 2,726,697
3 . Karma - 2,393,002
4 . Blank Space - 2,215,542
5 . Style - 2,002,641
6 . cardigan - 1,880,901
7 . Enchanted - 1,762,678
8 . Love Story - 1,630,356
9 . Wildest Dreams - 1,623,465
10 . Lover - 1,586,585
11 . Don't Blame Me - 1,549,311
12 . Snow On The Beach - 1,537,263
13 . You Belong With Me - 1,520,081
14 . Lavender Haze - 1,326,646
15 . august - 1,300,009
16 . All Too Well - 1,276,671
17 . Shake It Off - 1,254,966
18 . Midnight Rain - 1,080,905
19 . I Knew You Were Trouble - 1,062,358
20 . Hits Different - 1,019,943
21 . All Of The Girls - 999,715
22 . We Are Never Ever Getting Back Together - 957,235
23 . Bad Blood - 932,287
24 . Getaway car - 906,553
25 . Delicate - 903,793
26 . You're On Your Own, Kid - 868,336
27 . Bejeweled - 862,525
28 . The Man - 857,334
29 . Paper Rings - 815,774
30 . Daylight - 757,043
31 . Look What You Made Me Do - 746,841
32 . willow - 741,581
33 . The Way I Loved You - 704,733
34 . champagne problems - 686,755
35 . Miss Americana - 684,246
36 . Maroon - 670,683
37 . 22 - 651,305
38 . You Need To Calm Down - 626,902
39 . Fearless - 623,504
40 . ...Ready For It? - 612,581
41 . the 1 - 605,595
42 . Gorgeous - 601,724
43 . I Don't Wanna Live Forever - 593,784
44 . Vigilante Shit - 586,746
45 . Red - 569,551
46 . The Archer - 550,228
47 . Back To December - 548,056
48 . my tears ricochet - 544,022
49 . Mastermind - 536,782
50 . exile - 529,826
51 . Mr. Perfectly Fine - 524,376
52 . Cornelia Street - 516,906
53 . The Great War - 514,998
54 . Afterglow - 508,285
55 . mirrorball - 485,338
56 . illicit affairs - 476,679
57 . Death By A Thousand Cuts - 436,978
58 . New Romantics - 436,506
59 . Question...? - 433,363
60 . Our Song - 416,429
61 . this is me trying - 413,206
62 . Would've, Could've, Should've - 408,179
63 . Out of The Woods - 405,860
64 . London Boy - 404,271
64 songs doing over 400k is crazy. It's so funny that there are posts from a year or two ago where users where calling her hitless and questioning whether she could ever have a hit again. It was ridiculous then and it looks even more ridiculous now.
Something that shouldn't be understated is how incredible the stability of the most recent international boost has been!
Monday: 77m (no boost)
Tuesday: 80.3m (partial boost)
Wednesday: 86.5m (full boost)
Thursday: 87.2m
Friday: 87.6m
Her Sales are just kepps getting bigger and extraordinary each day. We have not seen this dominance in years.
Interesting to see what will left from all the hype in 10 years, which songs and how stable.
What do ya'll think?
I think her career will increase to The Beatles level ( 400+ million EAS in 2033 ) .
She could turn into drake or ed in less than a year. Not say anything this will happen but it happened to them and drake was huge on streaming and look where he is now.
Saying she'll reach beatles is ridiculous.
I wrote this because she can . Drake and Ed didn't use they catalog as smart as Taylor did it .
How? If she did 22m last year with a new studio album?
Also where are these units coming from? Her albums don't get certs anywhere yet she is doing millions of units.
If you think certs are an accurate way to assess performance you're sorely mistaken. Certs are not regularly updated. Looking at certs you'd think folklore is 2x Plat in the US when in reality its moved over 5m units. Taylor is doing 100k CSPC from streaming units daily = 36.5m a year. Additionally she is moving at least 3m pure per year = 39.5m. Not including the TEA, YouTube units, or additional pure from SNTV, which is sure to sell millions.
If you want to argue with her not doing 100k CSPC units daily from streams which I'm sure you will, perhaps choose a different site, as this entire one is built around it, also the current daily gains are broken right now but this is her CSPC gain on May 13:
CSPC Daily Gains (Change from 3/16)
Debut +2,150(+66.6%)
Fearless +9,860(+75.1%)
SN +9,540(+136.1%)
Red +10,390(+50.3%)
1989 +14,090(+43.3%)
reputatation +8,990(+66.8%)
Lover +11,900(+87.7%)
folklore +9,280(+63.1%)
evermore +5,160(+69.7%)
Mids +17,240(+20.5%)
Total: +98,630(+58.2%)
Oh and her daily streams are up about 8% from then, so the total is well over 110k including features and standalone tracks.
The reality is that Drake was huge in streaming US and some European markets and he still is huge in those places. The big growth of Spotify has been in latam and Asia where Drake has always being irrelevant
No I am just wondering because she has really weak album certs in Europe, Asia and Latin America. I would expect 1989 to be multiplatinum in countries like Germany and Spain.
I don't know what you mean by this. There's literally no certification body in 90% of Latin America and Asia
If Speak Now TV gives her discography a big boost (ex. 160m-180m), then she has a great chance of reaching 25b. Usually when she releases something, her huge streams still remain stable. If she does reach 160m-180m in July 7, she might have 100m-90m streams in the days following the release date.
The answer is quite obvious that her team chooses not to certify.
Take 'Break My Soul', it was just certified platinum in Switzerland, and people were using that to drag Swift's Midnights, saying it had no certified songs in Switzerland.
If you dig a little deeper, you will see Anti-Hero has 4m Spotify streams from Switzerland and BMS has 2m. Anti-Hero has double the amount of YouTube views via YouTube analytics. Anti-Hero charted on the Swiss Singles chart for 35 weeks, compared to BMS's 12.
Based on your certs argument tho BMS would be bigger than Anti-Hero in Switzerland.
It's not only that. Ignoring the fact that 90% of the whole world does not have a certification system, certifications are also given when you reach a certain threshold. Below those thresholds and between the next ones there's millions of album units. Anyone, objective knows this but that user has a hate boner for Swifties and loves to troll. (That’s the best case scenario btw)
Exactly, some of Taylor's biggest markets are places with no certification bodies.
Take the Philippines for example, one of Taylor's strongest markets. Based on the Spotify weekly chart (not incl any time not charting) her most streamed songs are:
Anti-Hero: 75m
Lover: 72m
Enchanted: 70.6m
All Too Well: 70.5m
Cruel Summer: 63m
Midnight Rain: 56m
Blank Space: 56m
Style: 46m
August: 40m
Cardigan: 39m
To emphasize units being below certification thresholds, the UK is a great example. Both Lover and folklore are sitting around 500k units, both still 100k from the 600k 2x Plat threshold, but 200k above the 300k plat threshold. Their album units are 70% higher than their certifications suggest!
What about Germany, France, italy, Spain, Netherlands are all bigger markets and all of her past albums struggle to go platinum there?
Not true, Brazil, Argentina, Mexico, Japan, Singapore, Malaysia etc have been certifying albums for decades.
Her certs in Latin America are actually good, but in Japan for example, she doesn't have a 2x plat album yet, but will soon.
