Taylor Swift moved from a rising country music star to a global hit maker. Her impressive album sales have been praised since day one.
In the last 12 months, the icon released as many as 3 albums, folklore, evermore and the newly recorded version of Fearless.
With her powerful catalog and a busy new release schedule, how high are her streams through audio and video platforms?
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Taylor Swift streaming review – the method
Streaming is made up of audio and video streams. Our CSPC methodology now includes both to better reflect the real popularity of each track. The main source of data for each avenue is respectively Spotify and YouTube.
To factor in the growing impact of multiple Asian countries where these platforms aren’t always the go-to site for music streaming, more sources have been added.
In order to account for their real popularity in each relevant country, the below sources have been used along with the mentioned ratios that reflect the market share of each area.
Audio Streams
– South Korea : Genie streams * 3.05 (consistent with Gaon streaming numbers)
– Japan : AWA streams * 100/5.5 (AWA has 5.5% of the Japanese streaming market)– Elsewhere : Spotify streams * (370 – 8.5 – 9.5 – 33 – 9) / 207 (370 million global subscribers minus 8.5 million from South Korea minus 9.5 million from Japan minus 33 million from China divided by the number of Spotify only users minus 9 million more Asian users) + Genie streams * 3.05 (uses Genie rather than Spotify to extrapolate markets like Taiwan, Thailand and Vietnam)
Video Streams– China* : QQ video streams * 50 if the song is available for audio stream, QQ video streams * 5 elseway (scale built based on known figures for several major artists)– Elsewhere : Youtube views
*since 96.4% of Chinese streaming platforms are free users, that paid-for users pay less than $2 a month and that they are also used as video streaming platforms, their streams are weighted on par with YouTube streams.
Audio Stream value – 1500 plays equal 1 album unit
Video Stream value – 11,750 views equal 1 album unit
Equivalent Albums Sales (EAS) = ( Spotify * 310/207 + Genie * 3.05*2 + AWA * 100/5.5 ) / 1500 + ( QQ views* 50(or 5) + YouTube ) / 11750
Taylor Swift streaming review – the results
Total: 23,193,422 EAS
Taylor Swift most streamed tracks (EAS)
1. I Don’t Wanna Live Forever [Orphan] – 1,222,000
2. Blank Space [1989] – 914,000
3. Shake It Off [1989] – 909,000
4. Look What You Made Me Do [Reputation] – 798,000
5. Love Story [Fearless] – 757,000
6. Me! [Lover] – 635,000
7. Lover [Lover] – 597,000
8. You Need to Calm Down [Lover] – 581,000
9. Delicate [Reputation] – 565,000
10. I Knew You Were Trouble [Red] – 537,000
11. You Belong with Me [Fearless] – 523,000
12. We Are Never Ever Getting Back Together [Red] – 518,000
13. Wildest Dreams [1989] – 461,000
14. Bad Blood [1989] – 447,000
15. …Ready for It? [Reputation] – 399,000
16. Style [1989] – 333,000
17. Cardigan [Folklore] – 297,000
18. The Man [Lover] – 293,000
19. End Game [Reputation] – 285,000
20. 22 [Red] – 273,000
Sources: Spotify, YouTube, AWA (app), Xiami, Genie.
btw, the Song september is only available on spotify, the streams from other audio platforms should be 0
why did her streaming numbers go down?
she’s at 23.8m in the all time sellers table but only 23.2m here
the algorithm that was estimating her non spotify streams was over estimating them i guess
especially that her two latest albums were weak on youtube
That’s the correct interpretation L145! We also switched from Xiami to QQ, possibly she lost a bit there although to be honest I haven’t compare with the previous numbers!
i think the algorithm should be adjusted… i did my own estimations and Ariana Grande’s Streams EAS should be around 31.5m while it’s 32.8m in the top artists list
Hi! could I get the data in an excel format? I wanna use it for a personal project.
Is there any data regarding total audio streams of a song in an especific country? Like total audio streams of YNTCD or any other song in the US?
Sadly not for the US, but you can get a breakdown of it’s Spotify streams to some extent here: https://kworb.net/spotify/track/29fRTIKsJhLUJoldM89GZS.html
You can get some specific data for Japan, South Korea and China though:
– South Korea : Genie streams * 3.05 (consistent with Gaon streaming numbers)
– Japan : AWA streams * 100/5.5 (AWA has 5.5% of the Japanese streaming market)
– China* : Xiami streams * 125/6.5 (Xiami has just over 5% of the Chinese streaming market)
The Cover of “September” is only for Spotify, In “Comprehensive Audio Stream” Have 0, Not 47 Millions.
Hi Jose!
Good spotting, the comprehensive figure is automatically calculated on our sheets and we missed that this song is a Spotify-only track!
The “Comprehensive Audio Stream” incluides Spotify??
Why songs like “You’ll Always Find Your Way Back Home” / “Better Man” are here and “This is What You Came For” is not? Even covers counts for EAS…
Hi TVL20!
We count every song on audio streaming apps, plus videos with 100k+ views on YouTube, the cover of This Is What You Came For doesn’t meet these criterias. We need to consider that even 100k views on YouTube represents a mere 9 EAS units, a number that falls under rounded totals, while it would take an awful lot of time to go through every minor video on YouTube!
Taylor never sang YWAFYWBH, I don’t understand why it’s here while TIWYCF with her vocals and songwriting credit, it’s not. Both should be here or neither of them.
Hi TVL20!
You are correct, it’s simply an error to have YWAFYWBH here. It’s listed on her discography page on Wikipedia, it’s always tricky to deal with these deep cuts since as you can guess we can’t take the time to listen to the 100-300 songs of every artist to know exactly what it is about. Most of the time tracks listed under an artist page are his songs, but Taylor also wrote for others hence the mistake!