Full Length related record Sales
It sounds fairly logical to add together weighted sales of one era – studio album, physical singles, downloads, streams – to get the full picture of an album’s popularity. For older releases though, they also generate sales of various live, music videos and compilation albums.
All those packaging-only records do not create value, they exploit the value originating from the parent studio album of each of its tracks instead. Inevitably, when such compilations are issued, this downgrades catalog sales of the original LP. Thus, to perfectly gauge the worth of these releases, we need to re-assign sales proportionally to its contribution of all the compilations which feature its songs. The following table explains this method.
Remaining Long Format – Part 1 – Compilations #1
How to understand this table? If you check for example the The Best Of Michael Jackson compilation line, those figures mean it sold 2,500,000 units worldwide. The second statistics column means all versions of all the songs included on this package add for 82,000 equivalent album sales from streams of all types.
The second part on the right of the table shows how many equivalent streams are coming from each original album, plus the share it represents on the overall package. Thus, streaming figures tell us songs from Got To Be There are responsible for 53% of the The Best Of Michael Jackson track list attractiveness. This means it generated 1,333,000 of its 2,500,000 album sales and so forth for the other records.
Except a singles pack, this list is full of Motown compilations covering the early albums of Michael Jackson. The 1975 set was the first choice of fans newly gained by later successes which increased its sales for many years. As Got To Be There includes 4 out of the 5 big hits from Motown, it is responsible for the majority of the sales of most of the compilations.
In some cases, like 18 Greatest Hits, the package was shared with the Jackson 5 which means Michael Jackson isn’t rewarded 100% of its sales. Those situations are indeed more favorable to the group as I Want You Back and ABC are the most popular songs from the entire Motown period.
“Beat It” is the 2nd track from “Thriller” to pass 500M streams on Spotify! It’s the 6th pre-2000 album to achieve this. Here are the top 5 albums based on their 2nd biggest track, all 5 are Hard Rock albums btw. Biggest 2nd track race: 1. Nirvana “Come As You Are” (“Nevermind” – 1991) – 617.2M 2. Metallica “Nothing Else Matters” (“Metallica” – 1991) – 595.2M 3. Guns ‘N Roses “Welcome to the Jungle” (“Appetite for Destruction” – 1987) – 578.6M 4. Bon Jovi “You Give Love A Bad Name” (“Slippery When Wet” – 1986) – 509.9M 5. AC/DC “You… Read more »
Maybe you’re wondering why Queen are missing from these lists, after all they are arguably the true streaming masters among 20th century artists. But the reason is that their top SEVEN tracks on Spotify are from seven different albums! Amazing actually. Their #8 track “We are the Champions” is the 2nd biggest track on “News of the World” with 480.7M, and rank #9 in the “Biggest 2nd track race”. And what about other 20th century artists with huge Spotify tracks, like Oasis, Mariah Carey, Journey, Toto, A-ha, the Eagles, Earth Wind & Fire and the Police? Well, while hardly one-hit-wonders,… Read more »
Thanks! I love these lists!
thanks!!!
Will you do an update soon? This article was over 3 years ago.
His sales in Japan seem relatively weak for his overall Asai sales ..any reason?
It’s not that they’re weak there, he’s among the very top international sellers in Japan. It’s just that his sales in places like China, India, Taiwan and South Korea were utter massive and unmatched by any other western act at his time. You could argue he was the first western artist to ever break into the mainstream in some of these countries.
How did Madonna issue albums in a much more favourable era?
She had her peak with him and they both released albums in late 90s and early 2000s, Madonna released more.
Hi Jake!
The Stones too released albums in the 90s / early 00s, it isn’t that much relevant when we look at the sales environment they had. Invincible is far and away Jackson’s weakest album. What makes a difference is the period when an artist enjoys his hey-days. He peaked (obviously) in 1983 and the barycenter of his success through the years isn’t that much later. Madonna’s one is 6-8 years later, and the market in early 90s was already way bigger than in mid-80s.
Didn’t most of Madonna albums flop in the 90s? She just had one successful album with Ray of Light!
I don’t think an average of 10.3 million in the 90’s (without Ray of Light) is a flop 😗. Don’t confuse a flop with not being as ridiculously huge she was in the 80’s.