CSPC: Pink Floyd Popularity Analysis

Another Brick in the Wall

BIGGEST TRACKS – Pink Floyd

The list of most successful songs is compiled in album equivalent sales generated by each of them. It includes the song’s own physical singles sales with a 0,3 weighting, its download and streaming sales, and with appropriate weighting too, plus its share among sales of all albums on which it is featured.

1 1975 – Wish You Were Here [Wish You Were Here] – 22,260,000
2 1979 – Another Brick in the Wall (Part II) [The Wall] – 16,700,000
3 1973 – Money [The Dark Side of the Moon] – 14,130,000
4 1979 – Comfortably Numb [The Wall] – 10,740,000
5 1973 – Time [The Dark Side of the Moon] – 9,170,000
6 1973 – Breathe [The Dark Side of the Moon] – 6,220,000
7 1975 – Shine On You Crazy Diamond (Parts I–V) [Wish You Were Here] – 6,110,000
8 1973 – The Great Gig in the Sky [The Dark Side of the Moon] – 5,750,000
9 1987 – Learning to Fly [A Momentary Lapse of Reason] – 5,550,000
10 1979 – Hey You [The Wall] – 4,900,000
11 1973 – Us and Them [The Dark Side of the Moon] – 4,450,000
12 1973 – Brain Damage [The Dark Side of the Moon] – 3,760,000
13 1994 – High Hopes [The Division Bell] – 3,640,000
14 1971 – Echoes [Meddle] – 3,460,000
15 1977 – Dogs [Animals] – 3,290,000
16 1977 – Pigs (Three Different Ones) [Animals] – 3,080,000
17 1973 – Speak to Me [The Dark Side of the Moon] – 3,070,000
18 1971 – One of These Days [Meddle] – 3,040,000
19 1977 – Sheep [Animals] – 2,800,000
20 1973 – On the Run [The Dark Side of the Moon] – 2,760,000
21 1973 – Any Colour You Like [The Dark Side of the Moon] – 2,590,000
22 1973 – Eclipse [The Dark Side of the Moon] – 2,540,000
23 1977 – Pigs on the Wing 1 [Animals] – 2,460,000
24 1987 – Sorrow [A Momentary Lapse of Reason] – 2,060,000
25 1975 – Have a Cigar [Wish You Were Here] – 1,960,000
26 1971 – Fearless [Meddle] – 1,840,000
27 1994 – Coming Back to Life [The Division Bell] – 1,810,000
28 1967 – Astronomy Domine [The Piper at the Gates of Dawn] – 1,730,000
29 1970 – Atom Heart Mother [Atom Heart Mother] – 1,700,000
30 1968 – Set the Controls for the Heart of the Sun [A Saucerful of Secrets] – 1,640,000
31 1969 – Grantchester Meadows [Ummagumma] – 1,560,000
32 1967 – See Emily Play [Orphan] – 1,480,000
32 1987 – On the Turning Away [A Momentary Lapse of Reason] – 1,480,000
34 1983 – The Fletcher Memorial Home [The Final Cut] – 1,460,000
35 1979 – Mother [The Wall] – 1,400,000
36 1994 – Marooned [The Division Bell] – 1,380,000
37 1977 – Pigs on the Wing 2 [Animals] – 1,370,000
38 1970 – Fat Old Sun [Atom Heart Mother] – 1,300,000
39 1979 – The Happiest Days of Our Lives [The Wall] – 1,280,000
40 1979 – Another Brick in the Wall (Part I) [The Wall] – 1,270,000
41 1979 – Run Like Hell [The Wall] – 1,230,000
42 1994 – What Do You Want from Me [The Division Bell] – 1,200,000
42 1994 – Keep Talking [The Division Bell] – 1,200,000
44 1970 – If [Atom Heart Mother] – 1,130,000
44 1975 – Welcome to the Machine [Wish You Were Here] – 1,130,000
46 1967 – Interstellar Overdrive [The Piper at the Gates of Dawn] – 1,100,000
47 1970 – Summer ’68 [Atom Heart Mother] – 1,090,000
48 1994 – A Great Day for Freedom [The Division Bell] – 910,000
49 1979 – Goodbye Blue Sky [The Wall] – 900,000
50 1979 – Young Lust [The Wall] – 850,000
50 1968 – Remember a Day [A Saucerful of Secrets] – 850,000

If you feel inspired by this list, we just created this CSPC Pink Floyd playlist on Spotify!

27 thoughts on “CSPC: Pink Floyd Popularity Analysis”

  1. Hi MJD!

    Glad you’re back! It’s been a long wait and it was quite worth it!

    Regarding Pink Floyd’s sales, I have to say their album sales are excellent! 80m+ in both the US and Europe is mind-blowing! They also managed huge sales in almost everywhere except Asia, but that can be explained by the weak market during their peak.

    Still, I was rather disappointed with their performance on other formats. 8,8m physical singles is very low compared to acts of the same time frame, especially since the singles market was huge at the time. I guess not releasing so many singles led to their extraordinary album sales, but The Wall is a perfect example of both huge album sales and singles sales. If they had relased more singles, they probably would end up having slightly less album sales, but much higher album sales equivalents from singles sales.

    I’m not sure how to judge their digital results though. While 23m downloads is quite good considering that the band is already quite old, it pales a lot compared to their album sales. I even find their streaming results more impressive than their download results.

    Lastly, with nearly 170m coming from studio album sales, this format takes up 75% of their total results. What other artists have such a huge proportion of their total results belonging to this format?

    The only acts i can think of right now that would be above Pink Floyd’s are Elvis, Michael Jackson and Queen. Not sure about Sir Elton John though. That means Pink Floyd is most likely in the Top 10.

    What other analysis/updates/projects are you planning to do next?

  2. Great article! I have a question, is it the THE WALL and Moon era the biggest era of all time ? Or Michael’s Thillir era 1983-1985 or Beatles’ 1965-1969 or Celine’s 1996- 1999?

    1. Hi Skkywill!

      I’m not sure to fully understand your question, how do you define ‘era’? Are you referring to a period time-frame or a set of consecutive albums?

      1. time-frame, biggest CSPC sales during their peak time, of course, considered market size and number of album and sales., It’s hard to credit Swift’s era., but adele’s era is 2011-2012, Bad is no doubt an incredible era, but despite of how biggest Thillir is, its, era didnt last 1982—1988, but two era, Whitney as well. era credited for consecutive Year end chart run of artist’s record

        1. Hi Skkywill!

          To be honest I fail to see the logic there, you need to set more consistent and clear rules to define a list. For example, Bad was roughly half as big as Thriller, if you can’t consider an era 1982-1987 for Michael Jackson because it was too much of a dip in sales, then there is no way you can consider 1973-1979 as one single era for Pink Floyd with Animals doing 4.5 times less than Dark Side of the Moon.

          If you use a 4-albums window, then Pink Floyd end up under MJ. With a 6 years period, they are topped by the Beatles.

          The market size is clearly a misconception. Pink Floyd’s albums sold that well thanks to catalog sales, which happened when the market was big. Their 1973-1979 albums CSPC totals also include tons of sales from live and compilations issued with a great market environment.

          If you stick to initial sales from 1973 to 1980, then this is clearly not the biggest era ever as they weren’t even the top selling act of that period – the Bee Gees and ABBA sold more than them during those years.

  3. outstanding numbers! it is worth mentioning that they are the second artist on your list to have two 40+ million CSPC albums after Celine. Of course in their case, they almost have both their albums over 50 million which is a ridiculous result. Do you reckon any other artist of those left apart from Michael Jackson to have 2 albums generate over 40 million CSPC units (let alone 50 million!!)?

    1. Hi Pat200!

      I could be wrong but I can’t think of anyone else apart Michael Jackson achieving this feat! This later has more likely not 2 but 3 albums there!

  4. time-frame, biggest CSPC sales during their peak time, of course, considered market size and number of album and sales., It’s hard to credit Swift’s era., but adele’s era is 2011-2012, Bad is no doubt an incredible era, but despite of how biggest Thillir is, its, era didnt last 1982—1988, but two era, Whitney as well. era credited for consecutive Year end chart run of artist’s records

  5. It’s incredible to see albums like The Dark Side of the Moon sold less than half of its 43 million in the first year of publication (1973) and then over time it sold so much, a more unique and rare case, then we must also say that it still continues to be sell as evidenced by its sales in the US that the RIA declares it sold 15 million until 1995, but many sources including you MJD know with certainty that The Dark Side of the Moon has sold 21,800,000 copies sold only in US.

    1. Hi Pelvis!

      Actually, it sold way, way less than half its 43 million copies during its first year of publication – more likely 3 million only. It sold 12 million copies during the entire 70s. This is precisely why I mentioned how much we should be careful when assuming the market was good at the time because one album sold well as sales have been spread over more than 40 years!

      EMI hasn’t been updating their certifications, the RIAA can’t update them without the label asking for the award and providing them the figures. Hopefully a major audit of their catalog will happen soon!

      1. Thank god t hat there are people like you MJD who update these albums such as The Dark Side of the Moon (Pink Floyd) and The Joshua Tree (U2); If we only evaluate the RIAA certifications we will always say that The Dark Side of the Moon (Pink Floyd) and The Joshua Tree (U2) have sold 15 million and 10 million respectively in the US.
        Instead, thanks to experienced people like you, we know that The Dark Side of the Moon (Pink Floyd) sold 21,800,000 copies sold in US and The Joshua Tree (U2) sold 12,400,000 copies sold in US.
        In fact I’m curious to see U2 update !

        1. Sorry again MJD, I know that Shine On (box set) does not include The Piper at the Gates of Dawn, but here you include it.
          Then always inheriting this box, I would like to know how its sales are not counted individually
          like the box set (Led Zeppelin).

          1. Hi Pelvis!

            You spotted an error – the track list used for Shine On is fine, it relates to the CD 9, the one of early singles, including one from Piper which is why the album gets a few sales. The remaining studio albums that were going to be added into the “Box” category were forgotten ultimately, I’ll fix that!

  6. Very well, if my calculations are correct CSPC PInk Floyd is 228,257,000 equivalent album sales considering that you must add 400,000 copies for each album of the box set (Shine On)

  7. Well, I see that you updated CSPC Pink Floyd with 400,000 copies of the box set (Shine On) for each album. Only I wanted to know why some albums like Meddle and The Dark Side of the Moon sold 575,000 copies instead The Wall, Animals and Wish You Were Here they sold 600,000 copies

    1. Hi Pelvis!

      Yes, I was just going to post that I updated those numbers. The higher figure of post-WYWH albums is due to the package The Box (1975-1988) released mostly in Australia, estimated at 25,000 units Worldwide. As you can understand by its name, that box included Animals, The Wall etc, but not Meddle or Dark Side!

    1. Hi Trond!

      Sales of Robert Plant, Mick Jagger, Paul McCartney or John Lennon were also not accounted for into their respective bands articles. They are truly solo projects, while interesting it doesn’t seem to belong to the main groups sales. The only exception I did so far is Bon Jovi because that’s a very specific case were the singer is fully amalgamated to the band, just like Sade.

  8. Hi! Great work.

    I have a question: Does The Wall (and Ummagumma) as double albums have the certifications for the number of album copies or number of discs(2x) ?

    1. With regards to their inclusion in this analysis and in particular, the “Original Album Sales” section, they are counted as one album.

    1. The Grease Soundtrack has shipped more copies than The Wall but I’m not sure how you would class TGS. It started life as a double LP and single cassette release but has since been issued as a 1 CD release and then a 2 CD. Incidentally, I have The Wall and it’s a single cassette release.

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