Music Industry, an infinite Journey:
Part I – The Past

Music Industry – THE PAST

Century XIX – Pre-recordings era!

Konfusion

This first section, which brings us back during years 1800, is maybe the most important of all. The major idea brought by it resolves a continuous confusion that make 2016 universe impossible to understand: the fundamental difference between the Music industry and the Recordings industry.

Since it is everything we ever knew during our lifetime, we tend to strongly believe the industry of recordings is equal to the industry of music, which is deeply wrong.

The music industry is defined by three very distinct parts, the recording being only one of those three:

  • the composition, created by the author and / or the composer and owned by the latter.
  • the recording, realized by the artist
  • the media, produced by the major, sold by retailers, owned by consumers

One composition will usually be generate various recordings (demos, final version, remixes, covers, lives etc.) while one recording is usually released on several medias (single / album, K7 / CD / Vinyl / MP3 etc.).

Labels do not only get money from the media sale, they also own property rights on both the composition and the recording. Consequently, they are paid as soon as one of the entities – the composition (author rights) or the recording (airplay revenue) – are used by an outside person or company.

How the hell is that related to 1800 years yet?! We are getting there. The key one need to understand from that period is that we didn’t knew how to record a sound, let alone save that recording on a media. Only the composition existed.

In spike of this background of no recordings nor airplay, the very first sales charts of music started to appear at that time. Indeed, very first sales charts, including initial Billboard publications (from 1900), were Top Sheet Music Sellers. The legend says White Christmas by Bing Crosby sold as much as 7 million copies on sheet music alone.

Today, we often debate if a viral video – remember Harlem Shake? – which airs an audio song should count among streaming points of the song only because the artist doesn’t appear on the visual side. Initially, the artist wasn’t even featured in the audio, since there was no audio media. Early Top Singles rankings were charts showings the most successful songs, independently from who was the singer, more often than not it was a merge of sales from all artists singing the said song.

2 thoughts on “Music Industry, an infinite Journey:
Part I – The Past”

Leave a Reply

Your email address will not be published. Required fields are marked *